Dear
and injured players,
once again, for its ineffable grace, the otherworldly Judith gives me this juicy goodies from my own knowledge powerful. Today I want to revel in the history of the genesis of the famous work "The Law" by Perdenzio Bruttini that Judith composed especially for the divine work "The Law", due in the year 1x31 Elevator and Che Bambola!, Almost simultaneously.
ran the 1x31 and the Naposilveone descended from the mountains to disrupt the resistance Italic. There he found his quarters in the beautiful town in the province of Medioli Arcore, now under the jurisdiction of Sampietro and took up the beautiful Elevator theater. Naposilveone did "aggrandire and beautify Bellure of all, at least so we read in the" Res gestae Naposylvionis Doctissimo exemplatae manu eius canzellarii Aemilii de Fide ", found in a miscellaneous code Semeladai accounts belonged to the thankful branch Celomoll Megratas y y y Noprendov Agras. So goes the ancestral record: "The high prince of all fitted with fine plastic, was pleased that every year in order to vileggiare parir nicer redditu his penzo anchor adorn with such beautiful music and theater in order to master this facere sent of his chapel, Bordon de la Picelli, gavotte and frotterelle Compose stalk of which had such great experience in inspected Barcarolle and flowers from the spit. But brav'omo, which too had suffered so much being a slave to star, he preferred to havea freedom parcatella Magna magnate, so that the island had gone away and then found the Naposylvione private music and chapel. To no avail as the strange fortune in order to injure the noble viro ch'adunque discouragement turned to best vassal: the Brutini, you'll then happy to good gambler gioventude et ardor in that some of Cremona apud dulcissima his lover. He sent to tell him that he wished, the strong Artabanus that it was not for some melopea Brutini composite containing a wise, what more upright and pure government would rule in his people blessed every grace et d'provided. Brutini, which havea great despite the vacuum in the Borsini, Tam smiled pleased to welcome burden. So componette "the Act", which is seemed to be ancient composition onusta et glory years, and that it was under very unusual and strange sounding name like "Costitugione" or "Costitutione" memoratu difficult. He gave the instrument, the most holy shepherd, soul drunk with light that the vulgar exclaims loudly, "Ali Fano, fano Ali" omniquandocumque appariebat. It gave voice and spirit to the great spirit of artistic seed condegna cantrice Iuditta Pasta, you'll then reigned over Italy sclatta dame of the music. "
sources speaking therefore clear, and there would be nothing to add on the context history in which this powerful melodrama, tragedy, or rather, he found to be located. "The Law" by the acts of the theater shows that the Bruttini composed in just two hours, it's enough, as can be seen quite clearly from a careful study of the strange old-fashioned opera called "Constitutio rei publicae, deleting every step that confacesse full design of the August high customer and bring the rest of the jovial tone of SI-FA-SOL (FOR ME, videlicet for Modulationem Enharmonicam).
The plot itself is almost trivial: The Law (soprano) is the daughter of Placcateso (bass), priest of Tivoincul, god False. For years it drudeggia with Piduone (tenore), comandante di una legione della tribù Frimasonia. Essi nutrono due figli: un maschio, Gamorro, e una femmina, Mapphia. E poi quanti altri, il libretto non lo dice, ma si suppone soltanto. Un bel giorno Piduone tralascia la Legge per l'avvenente Cunzubalda, della tribù dei Brambbili, e la Legge s'inviperisce. Alla fine Legge e Piduone spariranno in un gran falò, per installarsi nell'iperuraneo, lasciando il tutto in mano a Placcateso e ai loro figli.
Più complessa la composizione, specie per le giustissime richieste della protagonista. Ma circa questo v'invito a leggere la prossima puntata di “C'è posta per la Pasta” (volume 91) in cui il Cazziere will reveal the correspondence between the singer and his beloved Levissima ugly.
