So che quasi vi troverete male dalla gioia profonda che questo articolo di sublimi e sticatissimi contenuti vi saprà donare. Ricevo e pubblico, non senza una certa emozione (ebbene sì, anche io mi commuovo), i fioretti preziosissimi di Madonna Magdi Allamvero, detta Santa Magdi per la grande dolcezza dei suoi sentimenti. Ecco a voi dunque, discepoli ingrati del VCS, i vaticini prodigiosi della grande falsista stilizzata.
Incipiunt dicta Dominae Magdi Allamverae, collecta per augustissimam Dominam Iudit Pastam modo audiendi et interpretandi.
Oggi carissimi amici del Cazziere, cui voglio so well, true ... I want to talk to when I debuted at the Tramway Theatre [also known as the Metropolitan, depending on the degree of elevation is located in the particular historical moment, Ed.] New Havana. If I remember right ran a precise year, but it does not matter, really ... I had never been to New Havana because her then supervisor, Tongue and treacherous, he did not want me, on the grounds alleged, true, totally false that I would make a fool of his soldiers with my hand. I'm not sure he meant, right, with the word "fooled," but this is what brought me the tenor Giuseppe Della sister with whom he recorded a Mecca for my workhorse, the Vittorio Emanuele Theodora of the great Ganges.
In this regard, remember that the poor of the sisters, true ... he had this big loud voice but could not bend to the demands of the score ... because you see, dear, do not ... Part of Ascelloris in Theodora, also requires those undulations, especially in scenes with Theodora, and I remember that as usual, is not it ... I could sing all the pianissimo, and to sing pianissimo is necessary to imagine the note goes down slowly, and expand and, in short, true ... for me it was easy, but the poor of the Sister could not do it, poor thing, how I pity ... What a great time!
But in the end I said that I wanted to Fixed Tramway, that then I believe it was totally underground, and then eventually to raise this theater, and let me, true ... for Salvaro, they called me. They told me it was the darling Mariolina Horn for my name puzzle, but I think a story like this, almost questioning my world famous. So I went to sing the Intiggini of poisons, and it was a real frenzy. I was about thirty years, about twice now, and I really felt like a girl, right ... What beautiful memories, the audience into a frenzy, and I humble all that, I usually like, is not it ... I kneel to receive rose petals on the beautiful face in his prime.
But I would like to speak with more ardor of Lesbian feet of that master Intiggini, in which I reported a very personal, true ... City Zevio triumph arena. Who was the tenor, true ... Perhaps Bruttibuddini Borromeo, Borromeo that dear, they told me that is not well, poor thing, is not it ... as pity, poor ... Or maybe it was Wild Sabatingo ... But no matter, unfounded. It was a triumph unparalleled in short, to whom I was almost surprised, you know, too much humility is losing touch with the real, true ...
However, remember, dear readers, that the technique is one to one hundred, two hundred, the eight hundred and three thousand, and I modestly that the technique was born, that's all, really ...
Nell'Attosca ad esempio, quando lei sta per attoscare il pappone Carpa, che vuole intrattenersi con lei mentre ha condannato a sei mesi d'astinenza il bel Giuseppe, ebbene, vero... Intiggino ha scritto queste progressioni, che se non vengono risolte con grandi archi di fiato, ebbene la voce va tutta indietro e ne soffre tantissimo.
Ecco questi piccoli consigli hanno fatto di me la Magdi che tutti conoscete, e che sono ancora nonostante i miei 15 anni di età. 15 netti netti, come dice la Signora Mosca del Burro.
Ora vi devo lasciare perché mi aspetta un corso di aquagym tonificante a Rapolano Terme, dove cantai nel prestigiosissimo teatro un'indimenticabile Rigida di Azzurri. Ah, come facevo io la risata nella prima aria, così come la voleva Azzurri e così come l'ha scritta chiare lettere nello spartito...
Un augurale abbraccio dalla vostra devotissima,
Magdi.
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